Water Puppet Theater
(Vietnamese: Múa Rối Nước)
For over a thousand years, performers in Vietnamese water puppet theater have
always gotten cold feet. And very wet.
Water puppetry is performed in a chest-deep pool of water, with the water's
surface as a stage. The puppeteers stand behind a curtained backdrop. First
performed a thousand years ago on the surface of ponds and paddy fields in
Vietnam's Red River Delta, water puppetry (roi nuoc in Vietnamese) is the lively
creation of farmers who spent their days in flooded rice fields. At some point,
they discovered that the water was an excellent medium for puppetry: it not only
concealed the puppeteers' rod and string mechanisms, but it also provided
exciting effects like waves and splashes.
The water also provides the best setting for the puppeteers' theme:
day-to-day village life. Water puppets bring wry humor to scenes of farming,
fishing, festival events such as buffalo fights, and children's games of marbles
and coin-toss. Fishing turns into a game of wits between the fisherman and his
prey, with the fisherman getting the short end (often capturing his surprised
neighbor by mistake). Besides village life, scenes include legends and national
history. Lion dogs romp like puppies while dragons exhale smoke and shoot sprays
of water at the audience. Performances of up to 18 short scenes are usually
introduced by a pig-tailed bumpkin known as Teu, and accompanied by a small folk
orchestra.
Water puppeteers have kept the details of their tricks secret for centuries.
Even today, village guilds of puppeteers refer to the more complex maneuvers
only by code names. A wooden puppet stands nearly two feet tall from its base
and weighs 20 to 30 pounds; synchronizing its movements across the stage with
their facial and arm gestures requires strength, dexterity and sometimes two or
three people. In the simplest technique, the puppet is fixed to a floating base
at one end of a bamboo rod about 15 feet long. The base includes a rudder and
acts as a fulcrum for the strings that control the upper body.
For generations of puppeteers, the craft involved water-borne diseases,
rheumatism and leeches. They endured bitingly cold winter performances with the
help of strong doses of nuoc mam (a fish sauce) and ginger tea. Today the Hanoi
puppeteers wear waders.
Bibliography:
David Taylor. Sagecraft
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